Jiang Wen

The third chapter analyzes specific space in the Jiang Wen film .

第三章针对姜文电影中的影像空间进行分析。

In addition , Jiang Wen movie in the space set also has representative .

此外，姜文电影中的空间设置也具有代表性。

Jiang Wen was a pretty girl who had a big smile right through the day .

记忆中的蒋雯是个一天到晚笑盈盈的美丽姑娘。

" Football Game " is the latest direction work of renowned Chinese actor and director Jiang Wen .

《看球记》是中国著名的演员兼导演姜文最新执导的作品。

The adaptation of Jiang Wen is a process that he rebuilds his figure .

姜文的改编实践是他重塑自身形象的过程。

Jiang Wen is a very special actor and film director in current moviedom of China .

姜文是中国当代影坛极具个性的男演员和电影导演。

Jiang Wen is not the only one who is testing the charm of microfilm .

姜文并不是检验微电影魅力的第一人。

Jiang Wen is an actor and director .

姜文兼具演员和导演双重身份。

In this context , from the perspective of space and community this paper starts to research spatial metaphors in Jiang Wen film .

在这种背景下，本文从空间与社会的视角入手研究姜文电影的空间隐喻问题。

Jiang Wen is at the top of the world-the world of Chinese cinema , that is .

姜文登上了中国电影界的巅峰。

I told Zhao Lin , if you find out how to contact Jiang Wen , you must tell me .

我跟赵琳说，如果找到蒋雯的联系方式，一定要告诉我。

Jiang Wen was trained at the Central Drama Academy-as an actor .

姜文曾就读于中央戏曲学院学习表演。

Megastars Jiang Wen and Ge You take the lead roles in this Chinese ( / homemade ) film

在国产片中，电影巨星姜文和葛优出演主要角色

Jiang Wen to'Let the Bullets Fly'in Hollywood .

姜文的《让子弹飞》在好莱坞翻拍版。

The film stars Chen Xuedong , Jiang Wen and Zhan Yixing .

这部电影的主演有陈学冬，姜雯，张艺兴。

He said he met Jiang Wen on Mr. Yu 's recommendation , and both decided to work together to make the novel a film .

他说他在余华的推荐之下与姜文见面，两人决定合作将小说拍成电影。

In Jiang Wen ' sIn the Heat of the Sun , there is a line like this : memory is always changed by emotions .

姜文导演的影片《阳光灿烂的日子》里面有一句台词是这样的：记忆总是被情感改头换面。

The five-minute microfilm is imbued with Jiang wen 's artistic style and his perspective over the love between father and son .

这部5分钟的微电影充满了姜文的艺术风格和他对父子之爱看法。

In Gone With the Bullets , director Jiang Wen defines film as follows : Movies are a kind of art to be commonly appreciated by the world .

在《一步之遥》中，导演姜文对电影的定义是全世界人都看得懂的艺术。

I could tell , when Jiang Wen was remembering these things , she was really happy , she was still the same , with no body language , quietly sitting , forever smiling .

看得出来，蒋雯回忆这些事的时候，挺开心的，她还是那样，没有什么手势语言，静静地坐着，永远微笑。

Finally , according to the study of Jiang Wen film in the space , the author believes : in the movie , space is the characterization of the social and space is filled with the social relation .

最终，笔者针对姜文电影中的空间研究得出以下结论：在电影中，空间是社会性的表征，空间里弥漫着社会关系。

The fourth chapter researches the social space of the Jiang Wen film , further illustrates the spatial metaphors embedded in the film , it is that the film space is the reflection of the community .

第四章对姜文电影中的社会空间进行研究，进一步阐释了蕴含在电影中的空间隐喻，即电影中的空间关系是社会关系。

Chapter four reaches the conclusion by analyzing his growth experiences , social background , and exploring what background makes Jiang Wen being an " author " as well as adhering to the personalizing movie style .

第四章从他的成长经历、社会历史时代的背景入手做总结性分析，探讨姜文成为一名作者以及固守这种极度个人化电影风格的背景原因。

Maverick actor-director Jiang Wen continues to jab at Chinese history with a satire about the fallout of an over-the-top beauty contest in ' 20s Shanghai .

不按常理出牌的导演，同时也是演员的姜文，用20世纪20年代上海言过其实的一起选美比赛的改编电影，继续在中国历史上猛敲了一记。

In the fast-paced society , our time spent on relaxation is fragmented , sporadic and limited , Jiang Wen , who directed his first micro film Football Game last year , told Xinhua News Agency .

在这个快节奏的社会中，我们放松消遣的时间是零散不定且有限的。姜文去年导演了个人首部微电影《看球记》，他在接受新华社采访时如是说。

Having not seen Jiang Wen for so many years , indeed I really wanted to know how she 'd been , not just out of curiosity , but also because she 'd left such a happy memory in my heart .

那么多年没见过蒋雯了，确实挺想知道她过得怎么样了，不仅仅是好奇，更是因为她留在我心中那份美好的回忆。

In the Chinese modern music history , Jiang Wen Ye is a composer who devotes to combining the western modern composing skill with eastern ethnic music style earliest and he has made certain contribution to the development of Chinese modern music .

在中国近代音乐史上，江文也是最早致力于把西方现代作曲技法同东方民族音乐风格相结合的作曲家，为中国近代音乐的发展做出了一定的贡献。

This paper selects the four films have been shot by the director Jiang Wen : " sunny days "," Devils on the Doorstep "," The Sun Also Rises " and " Let the bulletsfly " as a case study .

本文选取姜文导演已拍摄的四部电影：《阳光灿烂的日子》、《鬼子来了》、《太阳照常升起》、《让子弹飞》为个案进行研究。

In the present paper , the author briefly discusses the aesthetics of absurdity in contemporary Chinese films , by taking examples of the film texts of Devils on the Doorstep directed by Jiang Wen and Cow directed by Guan Hu .

由此本论文将重点以姜文《鬼子来了》与管虎《斗牛》两部电影文本为例，对中国当代电影中的荒诞审美作一简要讨论。

Two of them , the Chinese actor and director Jiang Wen and the German filmmaker Volker Schl ? ndorff , sat on stage in a conversation on the opening weekend of the Festival of German Cinema .

其中的两个人是中国演员兼导演姜文和德国电影制作人沃克·施隆多夫（VolkerSchlndorff），在德国电影节（FestivalofGermanCinema）开幕的周末，他们坐在台上进行了对话。